On May 16th in Kiev, at the Jose art gallery hosted the first exhibition of YANA Rusnak.which was called “FEELINGS”
The curator of the artist,Oleg Pinchuk, became a well known Ukrainian sculpture. The upcoming plans of the art team, which include a number of Ukrainian artists. For a joint exhibitions for art projects in Austria, France, America.
The “FEELINGS” exhibition was held behind closed doors. Previously the author has organized other artists’ project in large scale exhibitions and competitions both in Ukraine and abroad.
Some works of YANA, similar to the technique of Matisse; silhouette, decorative, ‘decoupage’ the figure reduced to a sign, while some of her other paintings are reminiscent of the geometric Art Deco, where the material passes into the channel ripple conditional. Such as: interacting spouses reduced to mutual meditative ritual mating dance Ina symbolic surroundings, the pair are drawn to each other on the background of stars and planets. Under the figures; boiling bright color, burning core of the stars, flare prominence, a new life is born.
Love and passion, which becomes the personification of floating in space, red horse, close to each other. Prevailing in the works of red and orange color, transfer of energy to the joy beauty in its youth, a thirst for strong sensations and impulsive feelings. Each woman is trying to build a space for her feelings deeper than everyday reality. The infinity of the Universe most closely matches the scale of her feelings. The same applies to the time – love, which, being for most people the unique and the shortest moment of conscious existence, is projected onto eternity. Thus, it creates its own system of space-time coordinates. Like everything else in life, it is only an illusion placed upon a pedestal, yet it is impossible to feel the life to its fullest without this illusion … However, Yana is not the first adept of the religion of love. Suffice it to recall Marc Chagall’s floating lovers, or the young lovers also floating in the outer flow of expressionism – from Emil Nolde to Oskar Kokoschka. Art feeds on love, it is its Dionysian impulse, the triumph of the unconscious in its pure shape, being so much and so well tuned in with contemporary mentality.
Each woman is trying to build a space for her feelings deeper than everyday reality. The infinity of the Universe most closely matches the scale of her feelings. The same applies to the time – love, which, being for most people the unique and the shortest moment of conscious existence, is projected onto eternity. Thus, it creates its own system of space-time coordinates. Like everything else in life, it is only an illusion placed upon a pedestal, yet it is impossible to feel the life to its fullest without this illusion … However, Yana is not the first adept of the religion of love. Suffice it to recall Marc Chagall’s floating lovers, or the young lovers also floating in the outer flow of expressionism – from Emil Nolde to Oskar Kokoschka. Art feeds on love, it is its Dionysian impulse, the triumph of the unconscious in its pure shape, being so much and so well tuned in with contemporary mentality.